Fresh air is constantly provided through a gravity-fed ventilation system that keeps the ambient temperature comfortable, but without the annoying sound of forced air. The Dekelboum Concert Hall, like the Gildenhorn Recital Hall and the Kay Theatre, has a specially designed silent HVAC system. Adjustable acoustical curtains help ensure ideal sound quality for performances and recordings. The stage features a (partially retractable) riser system that allows all members of performing ensembles to be visible to the audience. The choir loft can also be used for patrons as available. The hall has seating on the main floor, balcony and boxes on both sides of the venue. Most productions are presented “black box” style and feature general admission seating.The Elsie & Marvin Dekelboum Concert Hall augments the big, sweeping sounds of large ensembles while providing an unobstructed view of the stage.Īt 970 seats the Concert hall allows for sizeable audiences, yet every seat provides a sense of intimacy.
The Troesh Studio Theater is a flexible 3,000 square foot space with a maximum seating capacity of 250. This 244-seat venue is unlike any other and is ideal for jazz, cabaret and other events best seen and heard in an intimate setting.įloor tables have 4 seats per table, Mezzanine tables have 2 seats per table. Myron’s is a 3,700 square foot space, with u-shaped second tier. Reynolds Hall is our largest venue and features a magnificent 2,050-seat theater complete with stunning balconies, a dramatic stage and a full orchestra pit.Ĭhair height varies in box seating in Reynolds Hall to optimize the view of the stage. There is simply no other venue in Las Vegas that offers the same grandeur and breathtaking beauty as The Smith Center. Each theater has been meticulously designed by theater consultants Fisher Dachs Associates and acoustician firm Akustiks to provide unparalleled acoustics and sightlines.
Schwarz and crafted out of pristine Indiana limestone. The Smith Center itself was designed by world-renowned architect David M.
0 kommentar(er)
